Tag Archives: advertising writer

Inspired Writing

159650871 when it comes time to put pen to paper (or in most cases for me, fingers to the keyboard), does the subject matter really matter?

whether it’s writing an auto brochure, an insurance company’s direct mail letter, or an educational institition’s web banner, approaching each and every one with the same vigor doesn’t necessarily mean the end result will be as….inspired.

i’m currently working on some brochures for a large computer company, and while it’s not like i’m writing for apple (of which I’m a huge fan), i’m really enjoying the work.

granted, the freelance client is amazing. and supportive. and very pleased with the direction the project is going. and, for the most part, the real client isn’t chewing up the creative direction and spitting out something that doesn’t even remotely resemble the original. (that, in itself, is another entry worth pondering.)

i think what helped with this particular hardware brochure was the wide open field in which to creatively run. my direction was to “write the most aspirational, inspirational copy that positions these products as the best effing ones on the market.” so, right out of the gate, i let loose the reins of my brain and just went with the voice that sang the loudest. once the tone was set, the rest has been pretty easy. there is even one entry completely inspired by a hummingbird feeding right outside my kitchen window.

i think this creative freedom helped spark my enthusiasm. i know for me, it’s easier to pull the reins in when appropriate, rather than trying to open up and run after being corraled for too long.

what inspires your creativivity? can your style shine as brightly when your subject is not exactly something you bond with? i know i rely on voices from the past when a new one can’t be heard over my brain snoring. but, in this present moment, my creativity is awakening with a vigor i haven’t felt in some time. perhaps it’s the fact that i finally wrested control of my life and, with a little dose of fate (in the form of a layoff), am believing that i truly have a voice in the direction i want to take my professional future.

perhaps it’s freedom that inspires. or maybe it’s just that moment when everything just conspires together to create a project where creativity comes effortlessly. and your brain—and your eyes—are open and aware of all that is beautiful and inspiring around you. and, just like a hummingbird, flies off in a hurry. only to be replaced by another just as hungry, and just as eager to find something new that will sustain it until the next beautiful thing appears.

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i’ll see your reel, and raise you a URL

urlvsreelIn today’s competitive marketplace, is it more advantageous to have web or tv experience? Sure, the best scenario is to have samples of both in your portfolio.

But if you have to choose just one, which is going to move your career ahead more?

I interviewed with a large agency in Texas last October. Going into the opportunity, all parties knew my TV experience was light to negligible. But I brought strong direct and interactive experience, which was also part of the job description. We had a great chat (at least from my side of the table, I thought so). But when it came down to making the cut, my lack of TV production experience was enough to throw me off the job offer island.

Which brings up a whole other discussion. How does someone who has spent more than a decade working in the “ad biz,” but mostly in print and web, find opportunities to gain TV experience? I thought I had resolved the issue when I spent nearly 2 months storyboarding out an entire section of an auto manufacturer’s web site that was going to use live-action video and CGI to tell their truck’s story. Think a bunch of 30 and 60-second spots that, when strung together, told a compelling and engaging story.

Not only had we received client (and legal) approval for the boards, I had already hired the director and production team, and we started scouting sites. But then the bean counters came in and pulled the plug.  So all I have from that effort are some great storyboards and awesome shooters that I now consider friends.

Do you ever give up hope of getting the chance to do something new? Or do you go with what you know from experience, and keep milking that for what it’s worth?

I’m holding on to the hope that some day I’ll have the chance to finally shoot a broadcast TV spot. But in the meantime, I’ll continue utilizing my web experience. And continue to add to that skill set (with things like SEO) to help fortify my arsenal of offerings to present and future employers/clients.

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“once you label me, you negate me.”

a lovely lil quote from soren kierkegaard, and something that i’m still encountering during my job searches of late.

auto rearview

stopped in traffic in big sur

from 2002-2007, i worked on an auto account. i wrote brochures, web sites, point-of-purchase, plus a few more odds and ends. i got some great experience, some award-winning samples, and several promotions during the time i spent driving the creative.

but after 5 years, i felt like it was time to move on. see, people (read: other creatives and recruiters) were starting to see nothing but tire treads in my work and experience. i was becoming “a car guy.” not that there is anything wrong with that. it’s just that, the subject was overpowering the creative genius. (or perhaps just the creative behind the wheel.)

now, nearly 2 years later, i’m getting some interest because of the automotive experience, but alot more “no thanks” because of it. sure, i’ve been shuffling my portfolio around to try to soften the auto samples in it. but try working in that field for 5 straight years and not have your book feel a little road weary.

i guess what it comes down to, is i’m hoping that my future employers (or creative partners) can dscf01432focus more on the creative. how i use words to tell the story. and hopefully they’ll see that i can use my writing skills, creativity, and overall business sense to take whatever gadget/service they want me to help market, and treat it with the same loving care i gave to automotive.
until that happens, i’ll have to stick with the label “freelancer” until the right job appears. and so far, there has been no automotive offers coming in. (i’m not even getting the deals from the auto dealers.)

my freelance clients so far have been in education, healthcare, pharma, mortgage, computer hardware, and nonprofit. all of this work is reflected in my portfolio, along with the automotive.

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